{"version":"1.0","provider_name":"digitale kulturen und k\u00fcnste","provider_url":"https:\/\/digitalculturesandarts.ch\/de","author_name":"Lars Pinkwart","author_url":"https:\/\/digitalculturesandarts.ch\/de\/author\/lars\/","title":"Roland Meyer (Ed.) \u00abBilder unter Verdacht. Praktiken der Bildforensik\u00bb - digital cultures and arts","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BZvAk1YRCF\"><a href=\"https:\/\/digitalculturesandarts.ch\/de\/roland-meyer-bilder-unter-verdacht-praktiken-der-bildforensik\/\">Roland Meyer (Hg.) \u00abBilder unter Verdacht. Praktiken der Bildforensik\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digitalculturesandarts.ch\/de\/roland-meyer-bilder-unter-verdacht-praktiken-der-bildforensik\/embed\/#?secret=BZvAk1YRCF\" width=\"600\" height=\"338\" title=\"&#171;Roland Meyer (Ed.) \u00abBilder unter Verdacht. Praktiken der Bildforensik\u00bb&#187; &#8211; digital cultures and arts\" data-secret=\"BZvAk1YRCF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digitalculturesandarts.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/digitalculturesandarts.ch\/wp-content\/uploads\/2024\/02\/duotone-10.png","thumbnail_width":800,"thumbnail_height":1187,"description":"Digital images have been under suspicion of manipulation not just since the discussions about \u00abdeepfakes\u00bb and generative AI. While in the 1990s any digital image evidence seemed questionable, pragmatic answers have since prevailed. Whether and how digital images have actually been manipulated can in many cases be proven by using methods of image analysis and [&hellip;]"}