{"version":"1.0","provider_name":"digitale kulturen und k\u00fcnste","provider_url":"https:\/\/digitalculturesandarts.ch\/de","author_name":"Lars Pinkwart","author_url":"https:\/\/digitalculturesandarts.ch\/de\/author\/lars\/","title":"Block Seminar: \u00abForensic Aesthetics in a \u2039Post-Truth World\u203a\u00bb\u00a0 - digital cultures and arts","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xRtj07ocei\"><a href=\"https:\/\/digitalculturesandarts.ch\/de\/forensic-aesthetics-in-a-post-truth-world\/\">Blockseminar: \u00abForensic Aesthetics in a \u2039Post-Truth World\u203a\u00bb\u00a0<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digitalculturesandarts.ch\/de\/forensic-aesthetics-in-a-post-truth-world\/embed\/#?secret=xRtj07ocei\" width=\"600\" height=\"338\" title=\"&#171;Block Seminar: \u00abForensic Aesthetics in a \u2039Post-Truth World\u203a\u00bb\u00a0&#187; &#8211; digital cultures and arts\" data-secret=\"xRtj07ocei\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digitalculturesandarts.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/digitalculturesandarts.ch\/wp-content\/uploads\/2025\/03\/duotone-15.png","thumbnail_width":1920,"thumbnail_height":1080,"description":"We live in an age of rampant conspiracy theories, AI deepfakes and widespread online propaganda, a so-called \u2039post-truth world\u203a in which the boundaries between information and disinformation, fact and fiction seem increasingly difficult to draw. All the more reason why the demand for authenticity and reliable facts has never seemed more urgent, not only in [&hellip;]"}