{"version":"1.0","provider_name":"digitale kulturen und k\u00fcnste","provider_url":"https:\/\/digitalculturesandarts.ch\/de","author_name":"Lars Pinkwart","author_url":"https:\/\/digitalculturesandarts.ch\/de\/author\/lars\/","title":"Antonio Somaini: \u00abAI and Visual Culture: A Theory of Latent Spaces\u00bb - digital cultures and arts","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZdmCtEpnoG\"><a href=\"https:\/\/digitalculturesandarts.ch\/de\/antonio-somaini-a-theory-of-latent-spaces\/\">Antonio Somaini: \u00abAI and Visual Culture: A Theory of Latent Spaces\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digitalculturesandarts.ch\/de\/antonio-somaini-a-theory-of-latent-spaces\/embed\/#?secret=ZdmCtEpnoG\" width=\"600\" height=\"338\" title=\"&#171;Antonio Somaini: \u00abAI and Visual Culture: A Theory of Latent Spaces\u00bb&#187; &#8211; digital cultures and arts\" data-secret=\"ZdmCtEpnoG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digitalculturesandarts.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/digitalculturesandarts.ch\/wp-content\/uploads\/2025\/03\/duotone-24-1.png","thumbnail_width":1280,"thumbnail_height":1529,"description":"A theory of images and visual culture, today, needs a theory of latent spaces. In a historical phase in which images are more and more generated, modified, circulated, seen and described by or with the help of different kinds of AI models, we need to understand the crucial role played by an abstract, mathematical construct [&hellip;]"}